Produced by Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish cinemas from November 17.
